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Interview with Mike of Istra VM Underground caught up with
Mike from Istra.
VMU:
Hey, Mike. How you doing?
Mike: I'm always pretty good.
VMU: Could you tell us how Istra got
started and who is the current line up?
Mike: No, I can't. Only because I don't
know all of the story. Here is what I know. Dan, Tim, and
Pat have been in a band together off and on since early
high school. Prototype, and Mistaken, with various other
members. Casey and I were in a punk band (15 years old
here OK?) and we broke up. I knew before that he wanted
to be in a harder band. When we split he got into a
hardcore band. When I was about 19, Casey called me and
asked if I would record some songs for his band. (I was
recording on an 8 track mini-disc at the time in my
rented house.) He had joined Tim, Pat and Dan, and was
playing drums for them. They were singer-less, but Tim
was going to fill that in. All my friends from high
school were gone or drunk constantly, so the nights that
these guys would come by were awesome. They were the
first friends I ever had that were cool, and related to
me spiritually, (of course, I already knew Casey). The
Rockits (R.I.P.) would also come over often while these
guys were recording, which was awesome. Pat was in this
band also, and quit one night to be a Rockit full time.
After listening to what they had recorded, I decided I
really like it and had been trying to start a band of my
own. I abandoned my small minded, "Punk Only"
attitude and asked if they wanted a new singer. Of course
they said, No. But eventually something
changed there mind, and they picked me up from the
musical gutter, and threw me on stage with a guitar and
mic. I can't play guitar well, so the first 7 months were
embarrassing. We all moved into a house together with Pat
from the Rockits. He broke his back in a car accident and
was hardly walking for months. When we heard he quit the
Rockits we begged him to join and relieve us of the
hellish nightmare that was my guitar playing, and I
started using my hands instead to hold a microphone. We
played our first show with Pat less than a week after he
got his back brace off, so he couldn't bend. It was at a
high school homecoming. So there you have it. Current and
FINAL line-up: Pat, Dan, Mike, Tim Casey.
VMU: The heart of VMU is to cover basis
on gear, production and live performances. I've been
following you guys for a while and you guys have a
studio, is that correct?
Mike: We HAD one. We just moved out,
possibly to another location, possibly back to a garage.
VMU: Could you tell us about your studio
gear and if computer recording what programs and hardware
do you use?
Mike: We did our newest album on a Mac
G4 with digital performer from MOTU. I have one Avalon
pre, Presonnus pre's and compression, Shure, Audix, AKG,
CAD mics, a four foot rack of junk, most of which wasn't
used in the recording.
VMU: I own two of your indie releases.
The first and "One Cold Way". Could you explain
why [there is] such a big difference in sound between the
two CDs?
Mike: Reason 1. Patrick William Walker.
He wasn't around when we recorded the first record. Which
means the guitar work on the left side was done by me.
Which brings me to reason 2. I can't play guitar. I just
did whatever Dan told me to. Also, we did that album
after being together only four months. We originally
recorded thirteen songs. The record has seven. Most of
them had been written before I was in the band, including
the words, so I just didn't feel it. I guess none of us
had gotten in the groove yet. "A Mind Awake"
seems very juvenile to me now. We were younger and less
experienced. Although even "One Cold Way" is
starting to feel the same way. It's almost that time
again.
VMU: Were the CDs mastered? And how did
you master them?
Mike: "A Mind Awake" was
recorded, mixed and mastered by Pat Norton at his old
studio in San Diego. It was this weird extra room above a
church. "One Cold Way" was Mastered at Studio 9
in Pamona.
VMU: Who produced the releases?
Mike: We produced them both, by
ourselves.
VMU: Explain how you got into producing
and recording and how was your passion for music growing
up?
Mike: My passion for music has just
always been there. I pretended to be a rockstar when I
was four, wearing only Underoos and a blanket like a
cape. Cmon, that's what rock stars did in '86. I sang,
loudly and obnoxiously, at all times. I still do this
now. I got a guitar in high school, and then a set of
drums, and never got great at either. My first recording
experience was a song I wrote for my then girlfriend, now
wife, in high school. I used a 16 track mixer from the
70's straight into my tape player in my room. I thought
it was the most fun thing in the world. I was in a punk
band at the time, and was writing songs, and only
listening to NOFX, MxPx, Strung Out... I realized I was
dying to know how recording was done, what was used, and
how to do it. When I moved out at 18 I bought an 8 track,
(the same that was used to entice ISTRA into letting me
join.) I read every book Guitar Center had to sell on
recording. They all said the same things. I was going to
enter a recording program at Citrus College, but decided
to open my own studio instead, after just recording
people for myself for two years. I had been building up a
collection of gear, and had just about enough for a
decent studio. Since I was in a band, I knew a lot of
musicians, and that has pretty much been my clientele.
VMU: Are there any techniques you use
with your vocal skills as well (studio and live)?
Mike: I just do what I feel like doing.
VMU: Do you prefer live shows or studio
time?
Mike: Live shows. cCmon now, can we
compare the two? Be careful of Dan though, he'll jump out
on top of you.
VMU: Explain the gear your band uses
live and in the studio?
Dan: Gibson Les and SG, Mesa Triple Rectifier (used to
belong to Ritchie Sambora) mesa cab, and all his pedals,
Velcroed securely to a home- made pedal board. He loves
the digital delay. For the record we ran him through a
Marshall JSM and the rectifier. We liked it at the
time...
Pat: SG, ibanez, Mesa dual rectifier, Marshall 900 cab.
Pat has a red fishing tackle box covered with sharpie
marker where he keeps stuff. When opened, cables,
strings, picks powerstrips and Mountain Dew bottles fly
everywhere. When ever anything is missing, it is in Pat's
box.
Tim: Well... He has an Ampeg B4R head with no top, and
the brains showing. You have to flick the little fan to
get it moving, then play. Luckily he bought a new SVTPro
and the Ampeg 8X10 cab. Tim had an awesome blond colored
Washburn that we did the album with. It got stolen at a
church show in Hesperia. We don't know who took it. But
we will find you.
Casey: Interesting, Casey currently plays Orange County
Drums and Percussion, recently received an endorsement
from Truth drums. So he will soon have a fully custom
Truth set.
VMU: I know you guys are going to hit
the road soon. How long will you be out and any big
festivals/openers or is this your guy's headline tour?
Mike: We are doing thirteen days with
the Extreme tour, which is a tour with X- games style
sports, and about eight bands every night. We will be
with them from Florida to Louisiana. We are touring our
way out to Florida, and touring our way back, so we plan
on 26 days, and 25 shows. No big openers that we know of,
except maybe for Spoken, who are supposed to be part of
the Extreme tour.
VMU: What were some of the worst
experiences playing live?
Mike: Once we got to a club and the guy
told us since we didn't sell 8,979,968 tickets, we would
have to play last, that is, 7th. We got on stage, there
was a guy putting chairs up on tables, and our wives. We
walked off stage and didn't even look at the promoter. Oh
and every time we have ever played Reflections, (4 or 5)
Rich SCREAMS at Dan. Only Dan. I think he hates him.
VMU: We have recently placed Istra on
the "Detached System: Complete" V.1 compilation
album. How did all of you feel being on a disc with so
many different styles of groups and artists?
Mike: It's good, everyone sticks out.
Maybe people won't get bored of the disc after 2 songs.
VMU: Could you explain some of your
musical influences?
Mike: We are influenced differently. In
high school I only listened to punk music, Dan only
listened to 80's metal. We are all different, but of
course there's the obvious influences, and we would all
agree on the awesomeness of a few bands, Deftones,
Blindside, Project86, Refused.. a few more I'm sure. It's
strange when we write, and I like it. No matter how
brutally metal a riff Dan might write, Pat and Tim
arent going to play the same way, so it comes out
nice.
VMU: How are the other members doing
these days? I heard Pat recently got married?
Mike: Yes. The cake was awesome.
Everyone else is good. Although homeless or between jobs,
we're all still good.
VMU: Who currently manages the band?
Mike: We are sans management.
VMU: Quickly back to recording. What
kind of vocal mic did you use for both [of] your
releases?
Mike: I don't remember "A Mind
Awake" but for "One Cold Way" it was Shure
KSM 44.
VMU: Could you explain your lyrics and
how often do you guys practice?
Mike: E-mail me back and tell me which
lyrics you want me to explain. We practice twice a week.
VMU: What do you think about the
Christian and Secular market today?
Mike: I try not to. But I have noticed
they are mirror images of each other, except one has a
potty mouth.
VMU: Anything to look forward to for
Istra in the future?
Mike: We are hoping to record 5-6 more
songs for an EP before we leave in May, and have it out
when we come back.
VMU: Thanks Mike for your time, any last
words?
Mike: No... Dang it!
VM Underground
April 5, 2004
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